THE STORY
Vaana Zongxi
(b. 2000) is a New York-based soprano, pianist, opera répétiteur and collaborative musician. Her musical path began as a multi-instrumentalist studying violin, flute, piano, and voice from the tender age of six.
Her early achievements as a pianist include earning DipABRSM and LRSM Piano Performance Diplomas from the Royal Schools of Music, United Kingdom with distinction honors at age thirteen and fifteen, winning her first piano competition at age eleven, as well as receiving awards from international competitions in Salzburg, Japan and Poland. She later expanded her training into classical voice and completed dual degrees in piano and voice at the prestigious University of Mozarteum in Salzburg. She also holds a Master of Music degree in Vocal Performance from the Manhattan School of Music.
Maintaining an active presence as both a singer and a pianist, her recent stage credits include roles such as Frasquita in Carmen, Fortuna in L’incoronazione di Poppea, Annio in La clemenza di Tito, and Erste Dame in Die Zauberflöte. As an opera répétiteur, she has worked with New Opera Singapore on productions of Rusalka and Rigoletto, as well as I Pagliacci rehearsals in Salzburg.
Vaana currently serves as a Staff Pianist on the Collaborative Piano faculty at the Manhattan School of Music across the Classical Voice, Opera Theatre and Musical Theatre divisions. Fluent in English, German, and Mandarin Chinese, she works across vocal and piano performance, coachings, and collaborative music.
“I am especially thankful to my teachers who have taught me well — Prof. Cordelia Höfer-Teutsch, Clarence Lee Zheng Le, Prof. Barbara Bonney, and Rosalind Plowright. They shaped not only my musicianship but my belief in the power of personal, generous teaching.”
JOURNEY
A Musical Timeline
Vaana was born, beginning a lifelong journey deeply connected with music.
Began studying piano, violin, and flute at a young age, developing a strong foundation across multiple musical disciplines.
Started classical singing lessons, adding vocal performance to her growing musical identity.
First Prize Winner in the Yamaha Piano Competition Singapore Senior Category and Finalist in the National Piano and Violin Competition Singapore Junior Category Piano.
Awarded the Gold Prize at the Chopin Piano Competition Japan and received international recognition for her piano artistry.
Received the DipABRSM Diploma in Piano Performance (2013) and LRSM Licentiate Diploma in Piano Performance (2015) from the Royal Schools of Music, both with distinction honours.
Received Honourable Mention at the Future Stars International Piano Competition in Tarnow, Poland.
Named Grand Prize Winner at the Grand Prize Virtuoso International Piano Competition in Salzburg, further establishing her international presence.
Participated in I Pagliacci rehearsals in Salzburg, Austria, expanding her experience in opera collaboration.
Received Gold Award in Vocal Performance at the 7th Le Petit Performers' Fest Singapore and continued achievements in international piano competitions.
Began pursuing her Master’s degree in Vocal Performance at the Manhattan School of Music, New York City, while working as a Staff Pianist with the Collaborative Piano Faculty.
CREDENTIALS
Education & Experience
Education
- Integrated Programme (IP), CHIJ St Nicholas Girls' School, Singapore
- Pre-College Voice, University of Mozarteum, Salzburg
- Bachelor in Piano, University of Mozarteum, Salzburg
- Bachelor in Voice Pedagogy, University of Mozarteum, Salzburg
- Master in Vocal Performance, Manhattan School of Music, New York City
Teachers & Mentors
- Piano: Prof. Cordelia Höfer-Teutsch, Prof. Lucy Revers, Prof. Andreas Weber, Clarence Lee Zheng Le, Yuko Kamimoto
- Voice: Barbara Bonney, Catherine Malfitano, Rosalind Plowright, Susan Quittmeyer, Sidney Outlaw, Regina Sgier, Kjellaug Tesaker Masterclasses: Wolfgang Holzmair, Claudia Visca, Martin Vacha
Performance
- Vocal Roles performed: Frasquita in Carmen, Fortuna in L'incoronazione di Poppea, Annio in La clemenza di Tito, Erste Dame in Die Zauberflöte (please also italicise the opera names such as Carmen, Lincoronzione, La clemenza and Die Zauberflöte)
- Opera Répétiteur: Pianist for Rusalka (italicise) (2023) and Rigoletto (italicise) (2024) with New Opera Singapore, I Pagliacci Rehearsals in Salzburg, Austria (2022)
- Staff Pianist on Collaborative Piano faculty of Manhattan School of Music across Classical Voice and Musical Theatre divisions since 2024, Opera Theatre since 2026
- Official chamber and ensemble music performances in Salzburg and Singapore
- Fluency in German, English and Mandarin Chinese
Achievements
- First Prize Winner, Yamaha Piano Competition Singapore, Senior Category (2011)
- Finalist, National Piano and Violin Competition Singapore, Junior Category Piano (2011)
- Gold Prize Winner, Ars Nova Piano Competition Singapore (2012)
- Gold Prize Winner, Chopin Piano Competition Japan (2013)
- DipABRSM Diploma in Piano Performance, ABRSM Royal Schools of Music (2013), with distinction honours
- Licentiate Diploma (LRSM) in Piano Performance, ABRSM Royal Schools of Music (2015), with distinction honours
- Honourable Mention, Future Stars International Piano Competition in Tarnow, Poland (2016)
- Grand Prize Winner, Grand Prize Virtuoso International Piano Competition, Salzburg (2017)
- Gold Award in Vocal Performance, 7th Le Petit Performers' Fest Singapore (2023)
- Quarter-Finalist, National Piano and Violin Competition Singapore, Artist Category Piano (2023)
- Gold Award, Joyeux Music International Competition, Professional Artist Category Piano (2023)
TEACHING PHILOSOPHY
Meeting each student where they are and guiding them where they are meant to be.
Every student arrives with a unique story, relationship to music, and their unique set of goals. My teaching approach begins with listening — understanding who you are, where you are now, and where you want to go.
I believe that sustainable musical and artistic growth happens in an environment that is both encouraging and grounded. Because my own background spans multiple disciplines, I don’t teach in silos. Rather, whether we are unlocking vocal freedom, refining pianistic technique, or diving deep into theory and interpretation, my goal as a mentor is to equip you with well-rounded and solid musicianship.
Together, we will build a joyful, confident relationship with music, backed by the technical precision and tools you need to perform at your absolute best.
PERFORMANCES
Video Gallery
Let's Make Music Together
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